I’m Dylan Wrankmore, an editor and VFX artist in Cape Town. I’ve worked in post for 20 years.

I started in graphic design and moved into motion. Then I spent five years at Iconic, setting the creative direction and doing the hands-on work behind it: VFX, motion design and finishing for Red Bull, Netflix and agency clients.

Now I freelance, and the edit comes first. I cut the job, or I take a cut and finish it: conform, compositing, clean-up, grade and delivery. Often both. Fewer handovers means less gets lost between them.

I work on commercials, documentaries and music videos. If you have something that needs cutting or finishing, get in touch.

I’m Dylan Wrankmore, an editor and VFX artist in Cape Town. I’ve worked in post for 20 years.

I started in graphic design and moved into motion. Then I spent five years at Iconic, setting the creative direction and doing the hands-on work behind it: VFX, motion design and finishing for Red Bull, Netflix and agency clients.

Now I freelance, and the edit comes first. I cut the job, or I take a cut and finish it: conform, compositing, clean-up, grade and delivery. Often both. Fewer handovers means less gets lost between them.

I work on commercials, documentaries and music videos. If you have something that needs cutting or finishing, get in touch.

I’m Dylan Wrankmore, an editor and VFX artist in Cape Town. I’ve worked in post for 20 years.

I started in graphic design and moved into motion. Then I spent five years at Iconic, setting the creative direction and doing the hands-on work behind it: VFX, motion design and finishing for Red Bull, Netflix and agency clients.

Now I freelance, and the edit comes first. I cut the job, or I take a cut and finish it: conform, compositing, clean-up, grade and delivery. Often both. Fewer handovers means less gets lost between them.

I work on commercials, documentaries and music videos. If you have something that needs cutting or finishing, get in touch.